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The Fundamentals of Music Theory for Composers

The Fundamentals of Music Theory for Composers

Table of Contents

Greetings from the world of music knowledge! You’re in the perfect place if you want to learn how to make music or explore the art of Film Scoring. We’ll cover the fundamentals of music, including how notes interact, the rhythmic patterns that give music its energy, and how you can utilize these concepts to compose your movie music. 

You’ll discover the mysteries of music and let loose your creativity on this exciting journey.

Key Takeaways

  • Music theory is essential for composing, performing, and understanding music.
  • It provides the language for artists to express themselves and communicate.
  • Understanding basics like notes, scales, and rhythm is fundamental.
  • Music theory empowers composers to create structured, expressive compositions.
  • It aids in composition, arrangement, harmony, melodic development, and rhythm.
  • It allows composers to communicate their intentions to musicians effectively.
  • Music theory fosters innovation and an appreciation of musical traditions.
  • Learning music theory enhances musicians’ problem-solving skills.
  • It’s crucial for anyone looking to have a significant impact on the world of music.
  • Clear goals, resources, and practice are essential for learning music theory effectively.

What is Music Theory?

What is Music Theory

Music theory is The foundation for composing, performing, and comprehending music. It acts as a language for artists to express themselves musically and communicate with one another. 

Fundamentally, basic music theory covers many ideas, such as how sounds are arranged into scales and chords, how notes are put together to create melodies and harmonies, and how rhythm and meter are examined. 

Composers and musicians can create, improvise, and perform pieces with greater depth and precision by studying music theory for beginners since it gives them a thorough understanding of the structure of music. 

It is a tool that empowers creatives to make wise decisions, encouraging a deeper understanding of the complexity and beauty of music.

The Significance of Music Theory for Composers

The Significance of Music Theory for Composers

Composers place great value on music theory because it gives them the fundamental skills and knowledge needed to effectively create, interpret, and transmit different music notes. Here are some critical aspects of its import:

Structural Understanding

Scales, chords, and intervals are only a few basic musical structures covered in music theory. Composers can use this information to produce melodies and harmonies that are meaningful and expressive.

Composition and Arrangement

Composers use music theory as a guide when writing new works. It aids in decision-making regarding chord progressions, fundamental changes, and orchestrations. Thanks to this knowledge, composers can produce music that resonates with desired emotions and themes.

Harmonic Progression

Harmonic progressions that induce both tension and relaxation are created by composers using music theory. Regardless of whether the song is a dramatic symphony or a love ballad, this element is crucial for expressing the song’s emotional journey.

Melodic Development

To create enthralling melodies, composers must understand scales, modes, and intervals. They can create melodies throughout a composition using motifs, variations, and other strategies.

Counterpoint and Voice Leading

Music theory provides guidelines for composing intricate counterpoint and supple vocal direction. This talent is critical in genres where multiple voices interact harmoniously, like choral and classical music.

Rhythmic Structure

Composers use music theory to specify a piece’s rhythmic structure. They can play around with time signatures, tempo shifts, and syncopation to add interest to the rhythm.

Communication with Musicians

Composers must express their intentions to artists when working with them. The language of music theory serves as a translator between the composer’s intentions and the musician’s interpretation.

Innovation and Creativity

While offering guidelines, music theory also motivates composers to test the limits and try out novel concepts. Many original musical works result from imaginative reinterpretations of traditional musical ideas.

Historical Context

Composers can access a long history of musical traditions and styles by solidly understanding music theory. They can incorporate components from various eras and genres into their compositions, resulting in songs that combine tradition and modernity.

Problem-Solving

Composers frequently run into difficulties while trying new things. By giving them the tools to address problems with structure, harmony, or rhythm, music theory helps them solve problems and improves the overall quality of their work.

According to music theory, the broad field of musical creation is the composer’s compass. It enables musicians to collaborate well with one another and audiences, innovate within preexisting frameworks, and coherently express their artistic visions. 

Any composer who wants to impact the world of music significantly must have a strong foundation in music theory, regardless of whether working within the classical traditions or experimenting with modern styles.

How to Learn Music Theory?

How to Learn Music Theory

Whether you plan to become a musician, composer, or music enthusiast, learning music theory can be a rewarding experience. Here are step-by-step instructions on how to begin learning music:

Set Clear Goals

Decide what you hope to accomplish with your understanding of music theory. Clear objectives will direct your learning, whether your learning is aimed at creating your music, comprehending already-written works, or improving as a musician. This is one of the best ways to learn music theory. 

Start with the Basics

Recognize the names of the notes on the musical staff, such as A, B, and C.

Recognize the operation of key signatures and major and minor scales.

Examine the spaces between the notes (for instance, a perfect fifth separates C from G).

Use Educational Resources

Invest in a good book on music theory. Many offer structured lessons and are intended for beginners. Many online film composition classes and video tutorials are available, frequently in levels from beginner to expert.

Join Music Communities

Participate in local music communities, forums, and discussion groups. Your knowledge and any questions can be beneficial, shared, and discussed.

Music Software

To practice writing and notating your music, think about using a program like Finale or Sibelius for music notation.

Apply What You Learn

Try to apply what you have learned to your musical endeavors. Write your music and try out the new ideas you’ve learned.

Stay Inspired

Maintain your love of music. Take inspiration from the great composers and musicians, listen to various music, and go to concerts.

The Basics of Music Theory

Understanding the music theory fundamentals is necessary for reading and writing music and serving as the foundation for more complex ideas. 

As you delve deeper into music theory, you’ll discover how to use these components to produce melodies, harmonies, and intricate compositions.

Notes and Their Durations

Notes and Their Durations

The foundation of Western music is made up of the seven fundamental note names A, B, C, D, E, F, and G, which repeat cyclically. The length of a note is controlled by different note durations, denoted by symbols like whole, half, quarter, and eighth notes. This affects the rhythm and expressiveness of musical compositions.

The Staff, Clefs, and Key Signatures

The Staff, Clefs, and Key Signatures

The pentagram is a frame used in musical notation composed of five horizontal lines and four empty spaces. Lines and spaces are used to separate notes from one another. The note ranges and clefs, such as the treble clef for higher-pitched instruments and the bass clef for lower-pitched instruments, define names on the staff. 

Key signatures, typically included at the start of a composition, indicate which notes are high or low, indicating the work’s key. These components comprise the fundamental framework for musical composition and interpretation.

Understanding Scales and Modes

Understanding Scales and Modes

The notes played in ascending or descending order comprise the fundamental musical structures known as scales. There are numerous major and minor scales; each adheres to a specific scheme of whole tones and semitones. 

Conversely, modes are alternate scale patterns that elicit distinct emotions and tones. Although most people know the significant scale, musical compositions can use unusual and impressive sounds in keys like Natural Minor, Dorian, and Phrygian.

Exploring Melody: Crafting Memorable Melodies

Exploring Melody: Crafting Memorable Melodies

The heart and soul of music are the melodies; they capture our attention and leave lasting impressions. Combining basic rhythm, phrasing, and emotional expression requires skill to produce unforgettable melodies. Use highs and lows to shape your melody, change the rhythms according to your interests, and use chord harmony to create a mood. 

Find the emotional core, balance repetition, and variety, and use silence as an effect. A compelling opening and examining scales and modes give it a special touch. Play the greats, improvise, and collaborate to make them even better.

Embracing Harmony: Chords and Progressions, Intervals and Transposition

Embracing Harmony: Chords and Progressions, Intervals and Transposition

The interplay of chords and intervals that gives melodies depth is called harmony, and it is the foundation of all beautiful music. Understanding chords and musical progressions is crucial. Intervals, which make up chords, give a composition its emotional texture. The spaces between notes, or intervals, induce both tension and relaxation. 

A melody or progression can be transposed to a different key to reveal new ideas. Learn the art of transposition, play with chord progressions, and immerse yourself in the world of harmony. Through this investigation, you will learn about the enchantment that causes music to reverberate and change.

Mastering Rhythm: Time Signatures and Rhythmic Patterns

Music’s pulse, or heartbeat, is what drives it forward. You must comprehend time signatures and rhythmic patterns to master rhythm. Time signatures specify a piece’s time signature and the number of beats in each measure. 4/4 and 3/4 time are frequent examples. 

The arrangement of long and short notes to produce groove and flow is known as a rhythmic pattern. You can unlock the ability to make music move, sway, and dance to your beat by understanding time signatures and experimenting with rhythmic patterns. You are the conductor, and it is the language of musical motion.

Notation and Terminology: Musical Notation Symbols and Key Terminology

Notation is the universal language of the music industry, and it is crucial to comprehend its terminology and symbols. The symbols used in music notation show the notes, rests, dynamics, and articulations used when playing or singing a song. Keywords like allegro (quick) and crescendo (progressively louder) influence the performer’s facial expression. 

This information ensures accurate communication among musicians, audiences, and composers and gives music life. You can easily have sophisticated musical conversations if you are familiar with the symbols and terminology.

Dynamics and Articulation: Dynamics in Music and Articulation Marks

The broad strokes of musical expression—articulation and dynamics—give a composition its mood and personality. Dynamics is a term used to describe how loud or soft the music is, denoted by signs like forte (vital) and piano (soft). 

The way notes are played is determined by articulation marks like staccato, short and distant, and legate, soft and connected. When a musician knows these components, he can enhance a piece with emotion and subtlety. You can give notes life and the musical canvas depth and texture by mastering dynamics and articulation.

Why It’s Worth Learning Music Theory?

Learning music theory is worth your time and effort. It provides the key to understanding music’s language and enables a thorough comprehension of its complex patterns, structures, and emotional range. 

With this knowledge, you can create, perform, and appreciate music with greater precision and nuance. Effective musician collaboration and communication are facilitated by music theory. Additionally, it enables you to develop innovations within preexisting frameworks and take on creative challenges. 

The ability to navigate the world of music theory adds a new dimension to your relationship with this age-old art form, regardless of whether you are a musician, a composer, or an enthusiast.

Join Our Course to Unlock These Benefits

Enroll in Scorecraft Academy’s film composer course and mentoring program to access these advantages. For those who love music and movies, this cutting-edge deep-learning program offers a unique chance to study music theory online and explore the field of film scoring. 

Enrolling grants you access to a Master Class where accomplished film composers will impart their decades of expertise. You’ll learn about their creative process, compositional methods, and the use of music to animate scenes.

You will be allowed to put these unique techniques to use and pursue a career as a film composer with the help of individualized mentoring and detailed feedback. Open to students with various musical backgrounds, this online course on film scoring is helping to develop the next wave of talent in the music, film, and television industries. 

Take advantage of this chance to learn more about a long-lasting and rewarding career in film composition. 

Ready to embark on your journey as a film composer? Enroll in our Film Composer Course and unlock the world of music and film. Learn music theory online and discover the secrets of successful film composers. 

Don’t miss out –Enroll Now and start your creative journey today!

Conclusion

In conclusion, a composer’s first step towards becoming a proficient musician is to grasp the foundations of music theory. It offers the skills and information required to compose rhythms, harmonies, and melodies that tell tales and arouse feelings. Film Composers can realize their creative visions and produce impactful and unforgettable compositions with this foundation.

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Take a look at our Syllabus

PART ONE – Chordal State Lecture

  • Chordal States – constantly change based on harmony, melody, and film emotion
    • Grounded state versus Ungrounded state.
      • Grounded states and examples
      • Ungrounded states examples including altered tone degrees or dissonance.
    • Tools to use in between Grounded and Ungrounded, when you don’t know what the emotion will be:
      • Lydian Mode “chord” – Root + Major Third + Flatted 5th
      • Augmented triad example
      • Suspended triad
      • Intervallic triad
    • Spotify Listening – Film Score Intensive 1 playlist.
    • Homework Session – Thor Love & Thunder cue

PART TWO – Spotting, Dialog, Scoring Devices

  • Questions to ask at a Spotting Session
  • Writing around dialogue
  • Musical Devices – Key, Mode, Register, Tempo, Density, etc
  • Review Michael’s Thor cue – introduction to the review process

PART ONE – Animated Scoring and intro to Harmonic textures

  • Review of students’ Thor cue
  • Monophonic Orchestration Style (#1) from George Frederick McKay’s Creative Orchestration – 8 Orchestra Textures
    • Can be a solo instrument, doubled in octaves, or unison at same register with different instruments.

Homework – Sonic the Hedgehog cue

PART TWO

  • Review of students’ Thor cue

PART ONE – Expanded Harmony and intro to comedy writing

  • Chordal Harmony (#2) and Onomatopoeia (#8) Orchestration Style
    • Chordal Harmony – melody is supported by chords, without countermelody or conter-rhythm, in its entirety.
    • Onomatopoeia – music sounds like its subject – any musical device you can think of.
  • Review of students’ Sonic cue
  • Kids’ Music and Comedy – Types of writing – bumper-based shows, rock/pop, cheesy and sparse, short stings or reactionary scoring, electronic/EDM, classic lo-fi, instrumentation, etc.

Homework – Little Margo cue

PART TWO – THURSDAY-SCI FI Music, Chromatic Expansion and Hans Zimmer Music

  • Review of students’ Sonic cue
  • “How DUNE Composer Hans Zimmer created the Oscar-winning score l Vanity Fair” YouTube video
  • Review of students’ Little Margo cue

PART ONE – Chromatic expansion, polyphonic texture, Sound design drones

  • Polyphonic Writing, Orchestration Style – consists of two or more simultaneous melodic lines. Similar to fugues or counterpoint. Maybe side by side to start, then together.
  • Spotify listening playlist – Polyphonic Harmony
  • Chromatic Expansion – Take the top voice and go up chromatically while chords change underneath.
  • Review students’ Little Margo cue
  • Making a Drone using a Synth Plugin
  • Homework – Mandalorian cue

PART TWO – Live Scoring “star Wars” Speed Writing

  • LIVE Scoring session – Star Wars Carbonite – spotting and scoring
  • Loopback sample setup

PART ONE – Modulations, secondary harmonic dominants, James Bond Music(SPY)

  • “Kobe Bryant’s Greatest Speech – BEST Motivation Ever” YouTube video
  • Review of students’ Mandalorian cue
  • Secondary Harmonic Dominants (teoria.com) – method of prolongation of the chordal structure and movement to another chord or key, including false cadences.
  • Spotting session – Golden Eye cue
  • Spotify playlist – Bond Music – Spy music – review instrument palette and playing styles.

WEEK 5 PART TWO – Templates Intro including libraries, MIDI CC

  • “John Barry and David Arnold – The Music of James Bond” YouTube video – music review
  • MIDI CC’s – 1, 7, & 11 – how to get a quick and dynamic response from brass and strings.
  • Michael shares a look at his Template and favorite Libraries.

PART ONE – James Newton Howard, Trailer music,

  • “The Pretty Woman soundtrack changed my career / James Howard Newton on Composing” YouTube review.
  • Review of students’ Golden Eye cue
  • Trailer & Promo Music – both part of music library music
    • Promo – Station promotes a new show or episode coming up
    • Trailer – written in shorter sections, not a lot of modulation or melody, with editable hit points, ostinato, swells, etc.
    • Spotting session – Joker Trailer cue

PART TWO – Guest in depth dive of Vienna Ensemble and Midi mapping/articulations

Guest teacher Steve Steele – Creating Articulation Maps, Vienna Ensemble Pro, Babylon Waves Art Conductor, MIDI CC’s, creating a workflow and Aux’s in your Template in detail.

PART 1 – Sound Design,Reharm progressions, Motifs and themes

  • Sound Design – anything non-orchestral or non-band oriented
    • Best chance of success in trailer music if you are good at sound design – more important than how good you are at orchestral music.
  • Spotify listening playlist – Sound Design
  • Incorporating Sound Design alongside Orchestral music in trailers, so you can hardly tell which is which. Strings and Synths made to sound like one thing – together.
  • Review of students’ Joker Trailer cue
  • Spotting session – Star Wars Return of the Jedi cue.

PART 2 – Reharm discussion including John Williams, Hybrid Brass

  • Reharmonization – cool chord progressions
    • vi-IV-II is a very powerful one, cinematic, gets you out of one key
    • vi-IV-VII keeps building and overcoming.
    • Variations: I-iv6-II Great for REVEALS with the last chord
  • Hybrid String-Synth and Brass-Synth creation
    • How to make a Hybrid Synth & Orchestral String instrument from scratch, including many FX plugins
  • Star Wars Theme Reharmonization ideas

PART 1 – SATB Scoring, Homophonic textures, Musicals

  • Homophonic Texture orchestration style – Melody with texture of chords underneath. SATB
  • Review of students’ Star Wars Return of the Jedi cue.
  • Homework – Lion King cue

PART 2 – Live Satb Scoring, Voice Leading In Film Scores

  • Review of students’ Star Wars Return of the Jedi cue.
  • LIVE Scoring – SATB
  • “How to Get From Chord to Chord – Voice Leading Music Theory by Odd Quartet” YouTube video review
  • “The Orchestration Method that ALWAYS Works by Ryan Leach” YouTube video review.

PART ONE – ADVENTURE MUSIC, Advanced Orchestral Devices

  • Flying and Adventure music – instrumentation and characteristics
  • Review of students’ Lion King cue
  • Homework – Jurassic Park cue
  • Orchestral Devices
    • Bi-tonal division – ability to superimpose other modes over/under your melody
    • Metric Modulation
    • Elongation
    • Melodic Counters
    • Register Division
  • Analysis of 1 minute of John Williams’ Jurassic Park Conductor’s score

PART 2 – Music Business Part 1, Music Libraries, Brand Development

  • Review of students’ Lion King cue
  • Analysis of Jurassic Journey to the Island
  • Music Business – Pitching to Music Libraries – What to Do
    • Creating your own catalog, brand and unique perspective.
    • Write a few paragraphs about your “Brand”.

PART ONE – Westerns And Their Traditional Orchestral Devices

  • Review of students’ Jurassic Park cue
  • Western Music review – instrumentation, characteristics, etc
    • Western Sub-Styles –
      • The Good, The Bad and The Ugly
      • Aaron Copland Heroic style, such as Billy the Kid
    • Spotify listening playlist – Westerns FSS
    • Spotting session – Butch Cassidy cue
  • Review of Western music sample libraries

PART TWO – Writing Transitions, Vertical And Horizontal Compositional Syles

  • Review students’ Jurassic Park cue
  • Transitions in compositional scoring
    • Trumpet Transition sample
    • Displaced Entry Transition
    • Major 7 on the V chord Transition
    • Rhythmic Displacement Transition

PART ONE – Orchestral Reductions, Holst Analysis And Uses

  • Review students’ Butch Cassidy cue
  • 20th Century Orchestration Style –
    • Holst: The Planets listening and review instrumentation and characteristics
  • Analyze “Mercury, The Winged Messenger” section from The Planets, and do a Score Reduction.
    • Dovetailing – when you move the melody or something up and down in register and section of the orchestra.
    • Major Tetrachords
    • Staggered triads in the Harp
  • “The Planets: Mercury, the Winged Messenger Score Reduction and Analysis” YouTube video
  • HOMEWORK – Spiderman cue

PART TWO – Invervalic Writing,in Class Score

  • Review students’ Butch Cassidy cue
  • Intervalic writing style (from Paraschetti book on 20th Century writing) – can be used under dialogue and can also be a way to transition between tension and release. The point is to create tension under the score without key and mode. Move by chord or by single notes. Every interval in a melody has an emotion. Review each one.
    • Two levels to Intervallic writing – Melody and Harmonization

LIVE scoring – write a melody with 2 woodwinds, with 4 changes in the melody, 4 intervals. Harmonize with another instrument underneath. Note change in emotion.

PART ONE – Hybrid Scoring Intro

  • Review students’ Spiderman cue
  • Hybrid Sound Design Music inspired by Songs
  • How to make a Pulse from scratch, including FX plugins
    • Favorite plugins and libraries
  • Spotting session – The Matrix lobby shootout cue
  • Spotify listening playlist – Hybrid Scoring

PART TWO – Advanced Sound Design And Project Pitch Creation

  • Review students’ Spiderman cue
  • Stylus RMX and REX files
  • Audio Mangling tools and favorite plugins
  • LIVE scoring – Record something audio, chip it up, reverse, delays, distortion, glitches, etc. Make an instrument out of it.

PART ONE – Music Of Jerry Goldsmith, Sci Fi, Horror Music

  • Review students’ The Matrix cue
  • Horror music – instrumentation and characteristics, sample libraries
  • Alien soundtrack by Jerry Goldsmith analysis
  • Spotify listening playlist – Week 4 FSS Horror
  • Spotting session – Prey (Predator 7) Final Battle Predator vs Naru Fight Scene cue

PART TWO – Mixing Part One

  • Review students’ The Matrix cue
  • Mixing – Thing in Frequency Ranges. Group tracks by frequency
    • How to treat Tracks and Stems
      • EQ can be built into your Template. Every project may be different, though.
      • Make a Bus/Aux Track for each plugin effect.
    • Compression, Reverb, EQ etc. concepts and products
    • How to Set Up a Master Bus

PART ONE – Atonal Music

  • Review students’ Prey cue
  • Atonal music style – instruments, characteristics, sample libraries
    • Uses shapes and colors outside key and mode.
    • Doesn’t have to be dissonant all the time.
    • Nebulous emotional center
      • Two ways to increase emotional intensity – speeding up or down, crescendo/decrescendo
      • Homogenous instruments or Non-Homogenous instruments
    • Spotting session – Mizimono cue (Hannibal season finale)
    • Spotify listening playlist – Atonal Class Music
    • Ideas for Scoring Atonal Music
      • 12-tone system of writing
      • Use Intervals in dissonant shapes
      • Alternate mild consonant interval to a more dissonant interval in succession
      • Clusters

PART TWO – Switching States And Emotions Rapidly, Midi Mockup

  • Review students’ Prey cue
  • LIVE Scoring – Atonal to Tonal – Grounded to Ungrounded
  • How to Record Initial Volumes into MIDI Instrument Tracks (and Gainstaging)
    • Adjusting CC’s on instruments, stems, leaving headroom on the master bus

PART ONE – Team Scoring Week, Bernard Hermann

  • Spotify listening playlist – Film Score History – Bernhard Herman, Vertigo & Psycho film scores
  • Review students’ Mizimono cue
  • Working with a Team – Work in pairs remotely to write Great Wolf Lodge cue.
    • Some of the best film score composers today have teams – Hans Zimmer, Harry Gregson-Williams, etc.
    • Who will write what? Style? Tempo? Key? Who will do the Deliverables to submit to Producer?
  • HOMEWORK – Great Wolf Lodge cue

PART TWO – Stacks And Ensemble Writing, Master Business Planning

  • Review students’ Mizimono cue
  • LIVE Scoring – Make an Instrument by Stacking instruments – Omnisphere is great for this. Trailer music and music library work, and Pop – these will require that you bring something new to the table. Can turn them into Risers, resample them, add FX plugins, etc.
  • Write a Master Plan – Don’t be on the No Plan Plan. Make a list of people, organizations, events, etc that you can access to promote yourself and make connections and relationships.

PART ONE – Computer Technology, Romantic Comedies

  • Computer configuration – Tech spec discussion regarding requirements for a good computer or network – size, speed, etc.
  • Review students’ Great Wolf Lodge TEAM cue
  • Romantic & Romantic Comedy music –
    • Instruments, writing styles, sample libraries
    • Woodwinds feature heavily, Pizzicato, Lydian mode, mallets, not super heavily orchestrated, etc
  • Write a Romantic Theme for violin. Deliver a chart for just the violin part. Send audio of orchestration or accompaniment with separate click track. Next week, we’ll have a live violinist in the studio to play and record your theme.
  • Spotify listening playlist – Romantic Comedy Score review
  • HOMEWORK – Titanic cue

THURSDAY – LIVE RECORDING IN CLASS WITH STRING PLAYER

PART ONE – Sync Music,promo Music, Hits Slams, Drums

  • Review students’ Titanic cue
  • Sync Music – Different styles, musical beds, used before TV shows, announcing new series/episodes, in movie trailers.
    • Definite format to this style
    • Big drum sounds
    • Editable hit points
    • Original music or Soundalikes
  • How to get your music in front of the right people. Who are the right people? How does the business of Sync music work?
  • Spotify listening playlist – PROMO Music/Sync playlist.
  • HOMEWORK – Back to the Future cue

PART TWO – Trailer Music<,music Pitch Part Two

  • Review students’ Titanic cue
  • LIVE Scoring – Trailer ending sample (last 15 seconds)
    • BIG ending, fast and frantic
    • Rise, Post Hit, then a sparkly thing at the end
  • Samples Libraries good for Trailer sounds

PART ONE – Video Game Music And Industry

  • Video Game Music – Non-linear, think in “blocks” of music
    • Must loop right at the zero point and create a tiny fade at the front and the end. Snap to Zero Crossings.
    • Emotional Mapping
    • Vertical Resequencing, Horizontal Resequencing
    • Cross Fading
    • Transitions
    • Middleware – Game Audio Engine
  • Spotify listening playlist – Video Game Music Mix
  • Spotting session – Video game cue “sections”. Deliver loopable audio regions for selected parts of the game.
  • Review students’ Back to the Future cue

PART TWO – Advanced Chordal And Tectural Scoring Techniques

  • Review students’ Bank to the Future cue
  • LIVE Scoring – Leading Shapes, Whole Tone Scale – Go from Lydian shape to resolution, which needs to modulate somewhere else. Use Leading or Common Tone resolutions style.
  • Leading Shapes, Whole Tone Scale – very useful if someone comes to a new place, or if there are mixed emotions.
    • Two whole tone scales – one starting on C and one starting on C#. Triads are all Augmented triads. Lots of Lydian Shapes in the Whole Tone Scale.
    • Leading Resolution
    • Common Tone Resolution
    • Alternate Root Notes

PART ONE – Mixing And Mastering

  • How the Video Game music business works – special events, etc
  • Review students’ Video Game loops
  • Mixing & Mastering Considerations –
    • Think front to back – far to close
    • Where to put reverb plugin in the signal chain
    • Frequency Masking
    • Drum sample mixing
  • HOMEWORK – Toy Story cue
  • Students screenshare live and “show and tell” their mixing workflow for the Toy Story cue. Have DAW open to show us.

PART TWO – Guest Composer

  • Guest composer Gigi Meroni Animation music specialist.
    • References for music given by Producers.
    • Are most of your episodes shorter these days?
    • Do you get writer’s block?
    • What are some good ways to try to get work when you’re just starting out?
  • Mixing Drums – Split them out and mix separately – LOTS of detail regarding drum positioning, panning, bleed, overhead mics, EQ ranges for each drum type, etc.

PART ONE – Personal Plan, Business Development, Final Full Episode

  • Review students’ Toy Story cue and DAW Mixing/Mastering workflow
  • HOMEWORK – Wolf Lodge FINAL 24-minute episode cue
    • Theme for each character
  • ScoreCraft Academy Post Class Action Plan review
  • 20 questions to answer in detail about what concrete things you will do within different timeframes to get you further along in your composing career

PART TWO – Speed Write

  • Review students’ Toy Story cue and DAW Mixing/Mastering workflow
  • LIVE Scoring – Speed & Accuracy – How far have you come?
    • Section vs Section of Orchestra contrast. Write one complete section of the orchestra by itself, not across sections, and write it into another section of the orchestra.

PART ONE – Synthesis

  • “Analog Synths Explained” from Groove 3 video by Scott Dugan
    • Oscillators, Filters, Envelope Generator, Attack/Decay/Sustain/Release ADSR, Low Frequency Oscillator (LFO’s)
  • Favorite analog synth plugins and hardware.

PART TWO – Getting Paid, deliverables, Live Sound Design Session

  • Music Library Business format and payment process, royalties & publishing
  • LIVE Scoring – Sound Design Synthesis – Learn to use an LFO. Write a 20 second Intro to a trailer.
  • Omnisphere’s LFO – How to assign and use LFO’s

PART ONE – Brand Development, director Producer Interviews

  • What is your BRAND? It’s more than just music. It’s your journey. Document your journey, and share it! Do it in a way that will inspire people.
  • What will you bring to a project?
  • Why am I right for the project?
  • Michael interviews each student with the questions above.
  • Important concepts to convey to potential project managers –
    • I’m an expert, not a jerk about it.
    • I have a passion for music.
    • I have a passion for the project.

PART TWO – Personal Development, Score Reductions

  • Conductor’s Score Reductions review
    • Scherzo for Motorcycle and Orchestra score reduction and analysis Indiana Jones (NMK Music)
    • Finlandia score reduction and analysis (NMK Music)
  • Uncommon Sense for Creative People – Whitty-isms
  • Submit “My Strengths and Weaknesses” paragraphs to Michael. Notice how they may have changed since the beginning of the class.

Final Wrap

  • No Zoom – just hanging together.
  • “Alan Silvestri breaks down the composing workflow behind his blockbuster scores” (by Native Instruments) video
  • “Watch this every day and change your life – Denzel Washington Motivational Speech 2023” by AlexKaltsMotivation video
  • Final